In August, I was called by an old friend Champe Barton of Horizon Productions who needed some online and color correction work on the Journey: Live in Manila concert that he was hired to DP. Produced by Dan Barnett of Wizard Entertainment, this was a 10 camera RED ONE shoot in Manila, Philippines. If you are not familiar with the RED, it’s a video camera that shoots RAW images at 4K (4096×2304 pixels) allowing a multitude of adjustments in post. A lot of credit should be given to the production team for their achievement in this, because most of the video and lighting equipment had to be flown in from various places such as the US and Japan.
The project was edited using Proxy files, which are lower resolution files and then reconnected to the RAW files after final edit approval. There are many different RED workflows to choose from and being modified daily, as it’s still cutting edge. RED has created a line of its own applications to process the RAW image data into the other various video codecs. Third party applications are also available which are Clipfinder, Monkey Extract and Crimson. Final Cut Pro/Color and Adobe Premiere can also import the RED files, but do not take advantage of the “Color Science” algorithm at this point, so these workflows weren’t an option. Some other higher end film finishing programs are available as well. RED has also developed the RED ROCKET card to use with it’s programs, which is an excelerator card that allows you to convert the RED media in real time. The 2.5hr camera reels that would take just over 3 days to render previously using the applications and standard 8-core MacPro, take just 2.5hrs using REDCINE-X with the Red Rocket, so this is the workflow we chose. The DVD is available now HERE, with a Blu-ray and High Definition Broadcast possible this year.










